Dear May,

I'm so excited for May's arrival for a huge, long list of reasons...but the first reason is perhaps one of my most favorite, and one of the best days of the year- our wedding anniversary. It's actually on the last day of the month, and I feel like I count down to throughout the entire month! Most years we've been on vacation to celebrate- last year we were in Hawaii and the years before in Vermont and NYC, but this year we may do things a little more low-key. I'm envisioning a picnic for our little family and maybe a date that evening. So excited.

 

walking into the reception, Mr. and Mrs.!

Other fun May dates? My first Mother's Day, my 29th and GOLDEN birthday on the 29th, and typically it was always the month we had our last day of school too! This year though I won't be celebrating that day, although I'm tempted to pull into the high school, just so I can drive out, windows down, to regain that distinct feeling of freedom.  It was the best, knowing I had an entire summer vacation ahead of me, and I loved that even though I was an adult, I still got to enjoy that luxury. Hank's birthday also feels like it's a part of May too, since it's just three days after mine, on June 1st! We always celebrate together.

celebrating our birthday in Vermont

getting excited for my first Mother's Day- it's hard to even remember what this felt like!

 
What a celebratory month, right? I can't wait for all the fun to come. So, here's to May, and here's to a whole lot of celebrating!

The Tattooed Poets Project: Debbie Kirk

I always like to finish up the Tattooed Poets Project on a strong note, so today's tattooed poet, the last of this year's series, is the heavily-tattooed poet Debbie Kirk.

It also happens to be Debbie's birthday today, as we check out one of her tattoos. More specifically, let's look at the top of her left arm:

This piece, complete with straight razor, brass knuckles and cherry bomb, bears a banner that proclaims "Bow to your elders, you Emo Fucks."

I mean, what more can I say about that?

In discussing which tattoo of Debbie's to use, this exchange took place:

Tattoosday: "I hesitate to use the emo one because of the language and because I'm sure people will not understand why you would get it, but that makes me want to use it more".

Debbie: "its a favorite with peeps...it has been declared the sexiest tattoo ever..."

Tattoosday: "I love tattoos but they are generally so benign nowadays, so it's nice to see one with a true fuck-all attitude."

Debbie: "Yeah, that defines me what you said right there....and why I got the tattoo. I think that single tattoo is the most ME. I can be a bit honest...which is why people like my poetry."

Where'd she get the tattoo? Debbie recalls " I just remember I got it in Venice 5 years ago from a girl who proposed to me when I told her my idea...I still tell that story. I KNEW it was good with that reaction and she was hot."
 
Debbie gave us several poems to choose from, and the one we selected, she says, is very representative of her work:

Little Frankenstein girl

 

Little Frankenstein girl

has the hands of a pianist

And the heart of a broken organ

With thorns, glass

Bats and Indian ink

Seeping thro…

Sewn together

Crookedly stitched

Like a pastel valentine heart

Filled with mismatched parts

Little Frankenstein girl

Has the right brain of a killer

Her right hand is dominant

While her left foot always faces away

Wanting to disconnect

To run

To be free

To not be part of this

Fucked up experiment

Dreamt up by

A genius dressed in rags

And chased by demons

The kind that really scratch and bite

When you are fast asleep

Little Frankenstein girl

Is not a little girl anymore

The curls in her hair

Dreaded up in the sun

Medusa in the wind

Her loud strong voice

Muffled under the stitches

That firmly binds her lips together

Bondage bringing pleasure

Only to those who wish

To keep her silent

(and they are many)

The little Frankenstein girl

Can’t count the stitches on her wrists

From all of those nights

With her right hand doing

What her left foot

Wanted to walk away from

And her not understanding

That she was never really alive

In the first place

Little Frankenstein girl

All mixed up

And

Mix matched

Returning every evening

With fresh wounds to be sewn

From another vain attempt

To be mortal for just a few seconds

Before the fall

Little Frankenstein girl

Stolen parts

Come with stolen lies

Maggots and flies.

The gravedigger, looking to make a buck

Steals her a kiss

The moistness quenches her lips

He promises more kisses tomorrow

She scurries home

Knowing full well

She’s damned to a life of stolen kisses

And malfunctioning hearts

that spit in the moonlight.

~ ~ ~

Debbie Kirk has published 6 chapbooks and been in 12 anthologies and hundreds of print and online zines. She lives in Santa Cruz with her dog Dr. Gonzo.  She has a website she rarely updates at tntkirk.com but she can be best located lurking around Facebook!  Also check out http://tntkirk.com/.

Thanks to Debbie for sharing her tattoo and poetry with us here as we close out the Tattooed Poets Project on Tattoosday. Also, we wish her a very happy birthday today!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

TRAILER OF THE WEEK

iEVOBIO Coming soon (6/20-21): Metagenomics, Biodiversity, Barcoding, Data Integration, and more

Last year, iEVOBIO was a fun, interesting meeting for many reasons (not the least of which is that I was the keynote speaker).  If you want to learn more about last years meeting check out my blog post: Summary of #iEVOBIO Day 1 #evolution #phylogenetics #informatics #opensource

But I note, that meeting was so, well, last year.  This year, the meeting is focusing on metagenomics, barcoding and biodiversity as well as data integration (see the meeting website for more information: iEvoBio: Home).  From the website:

In 2011 iEvoBio will have a a special focus session on metagenomics, barcoding, and biodiversity and the challenges that these new approaches raise for evolutionary informaticians. We now have over 6000 genomes and vast quantities of metagenomic sequences in the public domain, primarily from bacteria and archaea from many habitats. Various short sequences (e.g. barcodes) for quick identification of eukaryotes are emerging. The availability of this sequence data and ever-cheaper methods for producing it offer exciting opportunities for understanding molecular evolution and biodiversity. However, the data are growing faster than the infrastructure to support it. Thus there are informatics challenges for visualizing, analyzing, interpreting, and managing the data and the results from it. Moreover, the eukaryotic and microbial informatics communities have independent histories and approaches so synergy is not easy.

These challenges typify the intersection of fields that are the scope of iEvoBio. Speakers in this special session of iEvoBio will present their work and participate in a panel discussion. We will have 3 or 4 invited speakers at this session, including Neil Davies (Moorea Biocode project),Linda Amarral-Zettler (Marine Biological Laboratory Woods Hole), Holly Bik (Hubbard Center for Genome Studies, University of New Hampshire), and David Schindel (Barcode of Life, and Smithsonian Institution). After the talks, there will be an open panel discussion with all the speakers, including key note speaker Dawn Field (Center for Ecology and Hydrology at Oxford). We encourage you to attend this special session and participate in what we think will be a remarkably fruitful meeting.

Sounds pretty snazzy to me.  Plus, on top of all that, the meeting is very committed to Open Science:

iEvoBio and its sponsors are dedicated to promoting the practice andphilosophy of Open Source software development and reuse within the research community. For this reason, if a submitted talk concerns a specific software system for use by the research community, that software must be licensed with a recognized Open Source License, and be available for download, including source code, by a tar/zip file accessed through ftp/http or through a widely used version control system like cvs, Subversion, git, Bazaar, or Mercurial.

From an email I received:

More details about the program and guidelines for contributing content are available at http://ievobio.org.  You can also find continuous updates on the conference's Twitter feed at http://twitter.com/iEvoBio.

iEvoBio is sponsored by the US National Evolutionary Synthesis Center (NESCent) in partnership with the Society for the Study of Ecolution (SSE) and the Society of Systematic Biologists (SSB). Additional support has been provided by the Encyclopedia of Life (EOL).

The iEvoBio 2011 Organizing Committee:
Rob Guralnick (University of Colorado at Boulder) (Co-chair)
Cynthia Parr (Encyclopedia of Life) (Co-chair)
Dawn Field (UK National Environmental Research Center)
Mark Holder (University of Kansas)
Hilmar Lapp (NESCent)
Rod Page (University of Glasgow)

Overall, it seems like this would be a good place to learn about the uses of high throughput sequencing in ecological and evolutionary studies.

(note - cross posting at http://www.microbe.net/2011/04/29/want-to-learn-what-eco-evo-types-are-doing-w-metagenomic-barcoding-data-go-to-ievobio-621-22/)

GRANDMASTERS

JUNE 25-26, 2011

The Tattooed Poets Project: Lizzie Wann

Here, on the penultimate day of the Tattooed Poets Project, our contributor is Lizzie Wann:

Lizzie explains:

As I came into my poetic self in college, I knew I wanted a tattoo to symbolize that. My friend, Kevin, designed it for me and I carried it with me for a while. For spring break in 1993 or 1994, I went to Seattle with 4 of my best friends at the time. We happened into a cool tattoo shop and 4 of us got our first tattoos (the 5^th person didn’t want one).It was great because we each got something that symbolized who we were at the moment but also who we hoped to be in the future.

Here's a closer look at this quill and ink bottle tattoo:

Lizzie shared this poem, as well:

Grace

she lives here with me

but she comes & goes as she pleases

never tells me where she’s going

never leaves a note

it’s typical that she’ll come in

just as I’m falling asleep

I catch glimpses of her sometimes

usually when there’s music

we used to be inseparable

I didn’t think she’d ever leave

now, daily happenings of my life

rarely interest her

but sometimes they do

and she’ll spend time with me

when that happens

I remember how good it feels

her company is like an avalanche of

warm towels out of the dryer

I could stay there all day

© 2010 Lizzie Wann

Lizzie Wann started reading at open mics in 1995. She soon became an integral part of the development of the San Diego poetry scene, facilitating workshops at the Writing Center, creating her own readings and producing original shows that featured poets and musicians. She earned a spot on the 1999 Laguna Beach national slam team that competed at the National Poetry Slam in Chicago of that year, and from there, helped make slam poetry become a San Diego fixture. She was on the 2000 San Diego team that went to the West Coast Regionals in Big Sur, served as coach for that same team in 2002, and co-hosted the fledgling San Diego slam, held at the Urban Grind, until 2003. Her work appears on CDs (A Wing & A Prayer and A New Leaf), in chapbooks including Familiars, Naked Wrists, and Complicated Skies and in anthologies including Comstock Review, Incidental Buildings & Accidental Beauty, A Year in Ink, volume 2, So Luminous the Wildflowers, The San Diego Poetry Annual, and Don’t Blame the Ugly Mug.  She also founded the Meeting Grace house concert series which ran from 2000-2008. One of her CD’s can be found at http://www.cdbaby.com/cd/lizziewann.

Thanks to Lizzie for sharing her tattoo and poem with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Gerry LaFemina

Today's tattooed poet is Gerry LaFemina. Gerry put together a narrative about his ink, which makes my job easier, and gives us a detailed view of his tattoos. Let's see what he has to say:

Photo by Joy Gaines-Friedler

"My first tattoo–I was 19, I was a punk rock kid, and I had been thinking about getting a tattoo for some time.  I had had a dream in which I had a tattoo of a skull and crossbones design in which the skull had peace symbols for eyes.  When I was shaving the next morning, I was surprised I didn’t have the tattoo.  So I called up my friend Melody, whose uncle was Tattoo Ray–one of the best tattooists on Staten Island.  She made the appointment and came with me to her uncle’s house.

            In New York at the time (the mid 1980's), tattooing was still illegal: most tattoo artists worked out of their homes and their clientele was through word of mouth.  Ray was pretty famous–and I have met a number of people over the years on Staten island who had work done by Ray. He was funny, sarcastic, and quick-tongued.  I remember asking him about his needles (this was in the midst of the AIDS epidemic) after all and he asked me right back “How clean is your blood?”

             I liked him immediately.  He did the work.  His niece and I talked.  I just remember being surprised how much the tattoo gun sounded like a dentist drill.  The little whine, the humming buzz.

            My second tattoo: I got my senior year in college.  We found somebody in Westchester who did the work in his suburban neighborhood house.  I remember little of the experience.  The tattoo was not the one I wanted: what I had hoped to get – Tigger with a microphone and a mohawk jumping on his tail – I ended up not being able to afford.  Instead: I went with symmetry – and more pirate stuff: a rose with crossed swords above the left bicep.  In hindsight, this tattoo has held up better than Tigger probably would have....

Photo by Joy Gaines-Friedler

            What lasts though are the tattoos I wanted to get but didn’t: After the rose I wanted to get Charlie Chaplin tattooed on me.  I asked several artist friends of mine to make me a design, and I got a few of them, but none of them “worked.”  And for several years I wanted the logo for my old band tattooed somewhere.  But neither happened.

            So I went with two for a long time: but I often thought about getting new ink.  I wrote.  I taught.  I created a program for young writers in northern Michigan called the Controlled Burn Seminar for Young Writers.  I committed 13 years to that project, and after the tenth seminar, I thought I would get its logo – a lit cherry bomb – tattooed on my right forearm.  The logo was important to me: I believe poetry and all art should be a lit cherry bomb.  It should be a potential explosion.  But it should be fun, too.  I looked into it a few times, but I finally made the decision on a lark a few days after my birthday.  I was walking on Carson Street in Pittsburgh – tattoo parlor row.  I liked the name Flying Monkey Tattoo.  So in I went.

Photo by Joy Gaines-Friedler

            The tattooist was a kid, He could have been one of my students–he was finishing up his apprenticeship and mine was one of his first tattoos.  The seminar after the ink ended up being the last one.  It seemed fitting that the creative writing kids got to see it before the seminar ended.

            And now I’m back to collecting designs: this time, though, I know who’s going to do the tattoos.  The next one will be a Buddha carrying a tattered pirate flag on my back.  These are the two strains of my life.  And I want the MG logo somewhere.  I’ve been driving an MGB for 15 years.  The tattoo is a commitment and the things I am committed too, the things that define me, that continue to define me I want inked on me.  I spend much of my life putting ink on paper.  I think it’s only fitting to have some ink on me, too."

And now, for one of Gerry's poems:
 

Alphabet City

            Avenues A through D, Lower East Side, NYC

After the ambulances left but

before the sun finally rose above Avenue

C, I walked toward Tompkins Square Park where the heroin

dependent rockers slept, addled on benches, while

ex-punks huddled in their leather jackets

for the morning was still damp. One of them called out,

Gerry? What was I to do when I saw her, recognized

her hesitant familiar eyes. How could I have

imagined things would turn out this way when I’d call out her name —

Joanna — those sleepless nights of high school &

kept a photo of her deep into college.

Longing has such a sense of history.

Morning was approaching in its colorful coat.

Not once those months of kissing her, had I wakened beside her, but

oh — I’d wanted to. She was thinner & glanced away when I nodded;

pigeons surrounded her bench but would take off

quickly with the first sudden movement or when the next squad car

revealed itself in flashers & sirens.

So what did I do? What could I do?

The three five dollar bills folded in my pocket, what

use were they to me? I gave them to her, she who’d once been beautiful. How

victorious I’d felt that first time I kissed her.

We didn’t look at each other, nor did we look askance. I thought of the little

xiphoid syringes she might load with that money. This was my sin.

Two young black kids with dreadlocks walked by singing

Zion! Take me back to Zion! & I knew I’d never be saved.

– Gerry LaFemina

from Vanishing Horizon, 2011 Anhinga Press

Gerry LaFemina is the author of seven books of poems, most recently Vanishing Horizon (2011, Anhinga Press) and a collection of short stories.  He directs the Frostburg Center for Creative Writing at Frostburg State University where he also teaches.  He splits his time between Maryland and New York City.

Thanks to Gerry for sharing his tattoos and poetry with us here on Tattoosday!


This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

THROWBACK THURSDAY

Wanted: Sample collections for the Earth Microbiome Project (EMP); help make an open Field Guide to the Microbes

The Earth Microbiome Project (EMP) is "a systematic attempt to characterize the global microbial taxonomic and functional diversity".  A little more detail is provided on the project website:

The Earth Microbiome Project is a proposed massively multidisciplinary effort to analyze microbial communities across the globe. The general premise is to examine microbial communities from their own perspective. Hence we propose to characterize the Earth by environmental parameter space into different biomes and then explore these using samples currently available from researchers across the globe. We will analyze 200,000 samples from these communities using metagenomics, metatranscriptomics and amplicon sequencing to produce a global Gene Atlas describing protein space, environmental metabolic models for each biome, approximately 500,000 reconstructed microbial genomes, a global metabolic model, and a data-analysis portal for visualization of all information.

This project is certainly incredibly ambitious.  But hey, why not aim high?  The project is being coordinated by Jack Gilbert, Folker Meyer, and Rick Stevens from Argonne National Lab and the University of Chicago as well as Janet Jansson from Lawrence Berkeley National Lab and Rob Knight from U. Colorado Boulder. 

I note I am not unbiased here as I am one of the members of the EMP Steering Committee (others on the Committee include Jed Fuhrman, Janet Jansson, and Rob Knight).  

If you want to learn a bit more about the origins of the project, read this paper which is a report from a meeting where the idea came together as well as a follow up paper. 

Anyway, the reason I am writing this post is that the EMP is looking for collaborators and participants.  In particular we are hoping to line up lots of large sample collections that could be included in future analyses.  Currently a pilot project is being done on ~10,000 samples.  These will be characterized in a variety of ways including collection of metadata and also generation of sequence information for DNA from the samples (including both rDNA and metagenomic sequencing).  But the EMP wants more - much more.  So the EMP is recruiting anyone who either currently has, or could possibly collect, large collections of samples for microbial characterization along with rich contextual data about the samples.  The contextual data would ideally include as much information about the physical, chemical and biological parameters found at the time of sampling as possible. These parameters include, but are not limited to, nutrient concentrations, temperature, salinity, porosity, moisture content, time of day, latitude and longitude, depth below surface, elevation, pH, etc.



What types of samples are wanted?  Well, right now, just about anything could be useful.  Examples of things that could be useful include soil samples from a transect along the equator, filtered water from all lakes in Minnesota, deep sea sediment cores, filtered air from giant dust storms, microbial mats from hypersaline ponds, and so on.  The goal of the project is to develop and use massively high throughput methods to extract DNA and then generate sequence data from millions of samples.  There is of course a fund raising component and work is underway to secure funds to characterize the first collections.  Some corporations and institutes have already promised some support (e.g., Eppendorf and MoBio - see here). 

I note that the plans for the project are to be completely open in terms of data release.  Data that is generated will be released with no restrictions on use to everyone and anyone interested in utilizing it.

So if you have or might be able to collect some interesting samples and are interesting in participating in this open science initiative please contact submissions@earthmicrobiome.org to start this process rolling. We have already collated 55,000 from 30 PIs across the globe and this number is growing rapidly.

Be part of a revolution - open access data analysis to help define the microbial world which supports life on this planet. Plus, its better than working alone.

Note there is an upcoming meeting focusing on the EMP.  The meeting is in Shenzen June 13-15th.  This is a good place to have the meeting as the Beijing Genome Institute is a key partner in the EMP.

A final note this project is a key step in my dream - to have a field guide to the microbes.  It will not be all that is needed but it will be a good component. 

For some additional discussions of the EMP see:

• Earth Microbiome Project sets an example
• Constructing the Microbial Biomap for Planet Earth
• BGI Joins Earth Microbiome Project » MycorWeb Fungal Genomics
• DOE Joint Genome Institute in the News: Earth Microbiome Project ...
• Eppendorf Strikes Sample Prep Deal with Earth Microbiome Project ...
• The Earth Microbiome Project: A new paradigm in geospatial and ...
• Markus Library News » Blog Archive » The Earth Microbiome Project

And most importantly - sign up to provide samples ...submissions@earthmicrobiome.org

GOD'S LANGUAGE

Here is a fresh piece on Adil who came thru for his first tattoo..

The Tattooed Poets Project: David Jonathan Newman

Today's tattooed poet is David Jonathan Newman, who sent along this photo:

Dave explains:

"The tattoo is fairly literal; the state of Florida is burning, with the words "Til The Bitter End" aside it.  I moved to Miami for 4 years to pursue a relationship, and saw it out to its unfortunate conclusion.  The tattoo is born out of that experience, and I got it to help me put a finishing stamp on what happened there and what brought me back to Long Island.  None of us are perfect, but we can become stronger people if we have reminders of our mistakes and put them to good use to make sure they don't happen again.  This piece, along with most of the work on my body, was done by Chris Koutsis of Da Vinci Tattoo Studio in Wantagh NY.  I told him exactly what I had in mind, and between my ideas and his talents I was very happy with the outcome."

The following is my favorite of the several poems David sent me to choose from:

hello, atmosphere.

I keep the eyes of a rapist in a jar by my bed
walk lightly
for that part of the room is glass
modern-day sorcerer, am I
blueprints and otherworldly photographs in my drawers
beakers and tubes filled with dust
the cold makes it feel like home
and when the mirror talks to me, it only says
"I will wrap you in a sheet before this night is done."
well so says you, my sweet, but look what you've become
all my furniture, ghosts
rooms rife with other lives
no doors
my paintings are stolen from churches and are hanging backwards and are numbered one to infinity.

~ ~ ~

David Jonathan Newman has been a poet and vocalist/lyricist in bands, both on Long Island, NY and in Miami, FL.  He currently is working on a collection of poetry, writes music as a solo artist and has a blog (http://captainselfdestruct.blogspot.com) where he posts both his solid works and stream of consciousness ideas.  He's been winning poetry contests since 6th grade, and the poem above, "Hello, Atmosphere" won a writing contest at the SUNY College Of Old Westbury which was featured in Harmonia, their on-campus writing publication.

Thanks to David for sharing his tattoo and poem with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Lawrence Lessig on Copyright "The architecture of access to scientific knowledge" #CERN

Not much to say other than that Lawrence Lessig is worth listening to.


The Architecture of Access to Scientific Knowledge from lessig on Vimeo.
Lecture at CERN, Geneva, Switzerland, 18 April 2011: A new talk about open access to academic or scientific information, with a bit of commentary about YouTube Copyright School.

Hat tip to Russell Neches for pointing this video out to me ...

The Tattooed Poets Project: Kimberly Mahler

Today's tattooed poet is Kimberly Mahler, who sent along this tattoo:

Kimberly credits this bright colorful work to artist Erik Rieth, co-owner of Seventh Son Tattoo in San Francisco. The poem below is an unpublished work she is including in a manuscript centered around her raising her 11-year old autistic son, seen in this photo with the tattoo above.

The poem relates to her getting her first tattoo:

Stigmata of Spring

In a room full of men I remove my shirt and lie down.

Feel but don’t meet their gaze.

The needle whirrs a little, a test.

Close my eyes and see mother working at the Singer

December afternoons before bartending nights,

tired of us looking thwarted and poor.

Smell my blood mix with ink and adrenaline.

Arousing to be the object of keen attention.

For hours I am a still nude.

As girls my friends and I would trace letters

on each other’s bare backs with our fingertips.

Excuse to give affection in our parentless homes.

I surrender to the electricity and his tender hands

that sketch and sew an iris and its purple vulva

into my back and blade.  No words. The needle’s hum

is a vow, drowning jerry-rigged lovers and son,

flogging my flaws and scars. To bear the sacred

and taboo: an iris ardent enough to flavor gin.

He cleans and bandages my back like a hurt child.

Instructions, a swirl of pride and empathy,

for now it’s mine to carry, heal, and love.

Eventually, the iris bleeds, crackles, shimmies out nubile,

my stigmata of spring.  It draws the hands of lovers

and my son, who puts his lips to it and whispers “tattoo.”

~ ~ ~

Kimberly included a small photo of the piece in question, as well:

She elaborates:

"The iris was my first tattoo completed in 2007. It was a one session--four hour odyssey of sorts. I had never seen someone get tattooed, and was pondering why Erik was using so much red ink for a purple flower... yep, that was my blood, not ink. Over the years Erik and I developed a friendship and continued work on my shoulder in 2008 and the cherries February 2011.

I know the next one is going to be a large hip/thigh sea dragon piece, but that's a ways off. 

For me to be ready to get a tattoo, three elements have to be in line: my artist Erik has to want and like the idea, I have to be ready (both financially and emotionally) and the time commitment and passion for the design have to be there. When all are in line, it's a magical sort of experience. I give him ideas, he designs the piece and then we get down to work. I couldn't have anyone else do my work now; it just wouldn't be the same. [...] He co-owns a shop in San Francisco that just did a benefit for Japan, raising $7,000. Cool place. http://www.seventhsontattoo.com. Erik and the shop Seven Son Tattoo are both also on Facebook. 

There's definitely a connection between tattooing and writing for me. This is the only poem that I've written that is about tattooing (at least on the surface). However, both writing and getting a tattoo require a leap of sorts: a stepping off of the known. Both require a loss of control which lay the foundation for original art both on the body and the page."

Thanks to Kimberly for sharing her tattoos, poetry and photos with us here on Tattoosday!

Kimberly Mahler’s recent work has appeared in, 5AM, DMQ Review, My Baby Rides the Short Bus anthology, Naugatuck River Review, The International Psychoanalysis Poetry Monday and Cimarron Review.  She recently received a residency at the Ragdale Foundation in Chicago. Kimberly has taught college-level writing and literature in the San Francisco Bay Area for 17 years and is the director of The International Poetry Library of San Francisco.  She lives on the coast, a few miles north Half Moon Bay, CA with her son Harrison.

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

MORE THAN A MYTH

We just got our new Pirelli Calander for the Tattoo Shop!

Getting this feels almost as good as rolling on a fresh set of Pirelli Tires.

UDE COLLECTION

Thanks to Dennis over at UDE for always keeping my pieces fresh and executing my designs with flawless craftsman ship..

The Tattooed Poets Project: Claire Nelson

Well, dear readers, I've been waiting to post this next tattoo for over a year, ever since Dorianne Laux posted it on her Facebook wall last April and directed me to it. This amazing tattoo belongs to Claire Nelson. Behold:

This photo was taken shortly after the tattoo was done by artist Ron Henry Wells, who graciously allowed me to copy it from his site and reprint it here. He noted that he "used a antique typewriter that [he owns] as reference". He was also swift to point out that the picture's not that great, as the curve of Claire's thigh makes the tattoo look a little warped, but he swears it is straight. I would beg to differ, as the photo really captures the beauty of the tattoo and the wonderful artifice of the tattooist.

Claire sent me a newer photo for a slightly different perspective:

 

Claire explains this incredible tattoo:

"I love writing, tattoos and typewriters. When I met with Ron at Anonymous Tattoo in Savannah, Georgia, he seemed as psyched about doing my tattoo as I was about getting it. Ron asked a few simple questions. “How do you feel about birds?” I felt good. “Flowers?” I also had positive feelings about flowers. And then, we were off. Two sessions and some intense pain later, I came out with this amazing tattoo. Writing will always be part of my life, and now so will this tattoo."

Claire also shared this poem: 

Kazoo Serenade

The last nice thing you said to me

was “Your breath smells
like vodka,”

as I hummed at you

through a kazoo.
It was an

original composition;

maybe not

technically perfect—

I wasn’t concerned

with mechanics.
Who needs rules

when there are kazoos in the world?

I did an accompanying jig

on a cracked patch

of sidewalk.

Why is cement

always damp
on summer nights? It made such a

satisfying smack

against my bare-feet,

cool and wet,

like the familiar kiss

of a person I rarely see.

I could have danced circles around you

all night

until we were both too dizzy to know

melody from moment,

beauty from spit and plastic.

Instead, I unbuttoned
the pocket

on your shirt, and slipped the kazoo inside.

I don’t need retrospect

to tell me

you don’t deserve

a kazoo serenade. Oh I wish

it was about deserve

and not desire. 

~ ~ ~

Claire Nelson is a senior Dramatic Writing major at Savannah College of Art and Design in Savannah, Georgia. After graduation Claire will be moving to Tallahassee to pursue her M.F.A. in poetry at Florida State University.

As for Ron, he is currently working out of the Boston area, but occasionally is a guest artist at Three Kings Tattoo in Brooklyn.

Thanks to Claire for sharing one of the best tattoos we have seen in this year's Tattooed Poets Project, and for sharing her poetry as well, here on Tattoosday.

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com/ and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The @nytimes missed a great chance to suggest what astronauts can do as NASA changes: go deep, into the ocean that is

I just got home from a day in the East Bay with family and read with great interest the above the fold story in the New York Times about NASA Astronauts looking for something else to do these days: With Flights Winding Down, NASA Astronauts Seek New Opportunities. While I for one wish we would keep sending people into space (well, that is, if they want to go), I think if space trips are cut back for some time there is something that the astronauts could do in the meantime which would be really really valuable. They could work to explore more of Earth, especially the oceans. Having just come back from a trip to USC's Wrigley Marine Ctr on Catalina Island where I met Chris Welsh and Loretta Whitesides, who are involved in the Virgin Oceanic deep-sea exploration project, I find it surprising that the New York Times article did not mention at all the need for more people to explore the depths of the oceans. Sure, it may not be quite as glamorous as space travel, but it is both difficult and very interesting. I do not personally think that space exploration and ocean exploration are mutually exclusive - we need to do both. But if there is a lull in space exploration for some time and people are looking for something to do - I would suggest they look down. Deep down. And while I am at it - I think the government should greatly expand deep sea exploration programs so we can learn as much about the oceans as we know about space.

SOUL SUNDAY

Joe Bataan (also spelled Bataán) (born 1942^{[citation needed]} in Spanish Harlem, New York City) is an African American and Filipino]]-American Latin R&B musician from New York. He was born Bataan Nitollano and grew up in the 103rd St. and Lexington Ave. part of East Harlem where he briefly led the Dragons, a local Puerto Rican street gang, before being sent to the Coxsackie Correctional Facility to serve time for a stolen car charge.

Upon his release in 1965, he turned his attention to music and formed his first band, Joe Bataan and the Latin Swingers. Bataan was influenced by two musical styles: the Latin boogaloo and African American doo-wop. Though Bataan was neither the first nor only artist to combine doo-wop-style singing with Latin rhythms, his talent for it drew the attention of Fania Records. After signing with them in 1966, Bataan released "Gypsy Woman," in 1967. (The title track is a Latin dance cover of "Gypsy Woman" by The Impressions.) He would, in full, release eight original titles for Fania which included the gold-selling "Riot!". These Fania albums often mixed energetic Latin dance songs, sung in Spanish, with slower, English-language soul ballads sung by Bataan himself. As a vocalist, Bataan's fame in the Latin music scene at the time was only rivaled by Ralfi Pagan and Harvey Averne.

Disagreements over money with Fania head Jerry Masucci led Bataan to eventually leave the label. While still signed to Fania however, Bataan secretly started Ghetto Records, a Latin music label which got its initial funding from a local gangster, George Febo. Bataan produced several albums for other artists, including Papo Felix, Paul Ortiz and Eddie Lebron.

In 1973, he helped coin the phrase "salsoul," lending its name to his first post-Fania album. Along with the Cayre brothers, he co-founded Salsoul label, though later sold out his interest. He recorded three albums for Salsoul and several singles, including "Rap-O Clap-O," from 1979 which became an early hip hop hit. After his 1981 album, "Bataan II," he retired from music-making to spend more time with his family and ended up working as a youth counselor in one of the reformatories he himself had spent time in as a teenager. In 2005, Bataan broke his long hiatus with the release of "Call My Name," a well-received album recorded for Spain's Vampisoul label.

Bataan is also the father of Asia Nitollano, winner of the Pussycat Dolls Present: The Search for the Next Doll

In the 2006 video game, Driver Parallel Lines, Joe Bataan's song Subway Joe was included in the soundtrack.

In early 2009, Joe Bataan was featured in the Kenzo Digital-produced "beat cinematic" City of God's Son. Bataan was featured as the narrator of the story, paying the part of an older Nas reflecting upon his youth in the street with cohorts Jay-Z, Ghostface Killah, Biggie and Raekwon.

The Tattooed Poets Project: Tantra-zawadi

Today, as we enter our final week of this year's Tattooed Poets Project, we are honored to have Tantra-zawadi as our tattooed poet.

Photo by Arnold Browne

Tantra shared the tattoo visible on her right arm:

This tattoo was done by Louis of Third Eye Tattoo in Brooklyn. Tantra explains:

"Swans usually mate for life…Passion is a given in my work and how I love...The inspiration to become a part of something or someone for the duration of the journey is deeply beautiful.  Breathing through the ripples, the illusions, the wounds, the truth, the laughter, the healing and the magic of letting love…Sharing life IS the adventure! My poetry, like the mating of swans has been a part of my consciousness since I was a girl child.  It has grown with me and in me; writing candid love notes on my heart to the groove of house music in my soul!  I am life poetry."

Tantra also shared this tattoo:

Photo by Arnold Browne

On her left shoulder is the line "We make love in the way of the spirit," from her poem "Third Eye Kisses" (Gathered at Her Sky - Poets Wear Prada Publishing 2010).

Tantra shared this poem with us:

Poem for Haiti

Toe nails painted red
Fingernails and
Lips thus stained

I look at her cleanly
Parted scalp
Plaited locks of wisdom

With lavender ribbons

Gathered at her sky

Vibrant energy skirted and

Pleated from waist to ankle

With her hands delicately

Placed upon her chest

One on top of the other
Motionless

She was gentle
(I think) Most likely
Waiting for her groom
for she was a good girl
before she was swallowed

They lay in piles
the brown people tinged gray
and I wonder
if the one with the chocolate hand
was her beloved

Respectfully waiting for his bride

He dreamed of her too
(I think)
before he was swallowed

Butthereweresomany

Thereweresomany

Thereweresomany

Fairies, maidens
Princes, poison apples
and ogres in the agony of
Hushed lullabies and wailing
Absent walls or petitions

Only tears of freedom

Gushing in perfect French
pooling into mud cakes and spirits
that rise from their dust

Excerpt from Gathered at Her Sky - Poets Wear Prada Publishing 2010

~ ~ ~

Tantra-zawadi best describes her work "by the love that I make through my art to the vision of the unseen reality."  Soulful and sublime, her poetry explores love in all its forms; from the rush of the first kiss to the bittersweet.  Born in Brooklyn, New York, as a performance poet and published author, Tantra uses her voice to support the rights of women to exist, think and create through art.

Tantra has performed to standing-room audiences at venues as far away as South Africa, London, Germany and Toronto as well as venues closer to home in the tri-state area.  She has performed original works in the off-Broadway productions of Girl – A Choreospective, A Night of Three God/desses: Soldier Blues and Powerful Women, An Evolution in Reinvention, the Numeral Three, Leaving My Apartment and Other Urban Adventures and projects with the vonduvoisdancecollective. Tantra's recent appearances include the New York Public Library of Performance Arts at Lincoln Center, Badilisha Poetry X-Change Festival in Cape Town, South Africa and the Montserrat Poetry Festival in Missouri.  Tantra is a 2010 Pushcart Prize Nominee and a recipient of the Kings County District Attorney's Office Women’s History Month Award for her artistic contributions to the borough of Brooklyn.

Tantra’s latest release, “Gathered at Her Sky” from Poets Wear Prada Publishing, is available at Amazon and LULU.com (June 2010).  Tantra, a mentor for Girl-Child Network Worldwide (GCN), will donate partial proceeds from Gathered at Her Sky to GCN to provide education, personal items and empowerment for girls in Zimbabwe.  Tantra is also the author of “alifepoeminprogress” by Chuma Spirit Books, and her poetry was featured in Essence Magazine and in spoken word publications such as Redeye, Spoken Vizions, defpoetryjam.com, Platinum Poets, Sunpiper Press, Souled Up and poetswearprada.com.

Tantra-zawadi is the host of her own spoken word series, WORDSPACE, and has made several appearances on cable television, local and satellite radio shows. Known for being on the cutting edge as an artist and for speaking out about issues such as HIV and AIDS awareness, Tantra’s poem and video “Scarlet Waters,” was featured on the Product(RED) video wall created by U2’s Bono and Bobby Shriver, to raise awareness for HIV/AIDS in Africa.  Her short documentary, “A Silent Genocide ~ A Brief Insight into HIV/AIDS” edited by Oliver Covrett, takes another look at the personal impact of this disease.   Tantra also participated in a public service announcement for BETAH Associates produced by Marc Herbert Productions aimed at promoting HIV/AIDS awareness.  Tantra’s videos and films may be viewed on-line @ www.youtube.com/tantrazawadi.

Tantra-zawadi is a member of Collective Spirits and their “Love Planet” EP produced by Jonny Montana and Neil Maclean (Camio Recordings), showcases Bennett Holland on keys, Tantra on poem and Dana Byrd on vocals (traxsource.com).  Tantra is also a contributing artist on poetry compilations such as the award winning “Liberation Sessions: Soul of the City CD” by Mwalim (cdbaby.com), “Summerbreeze EP” by Dolls Combers (traxsource.com), “Poetic Stimulus” by Atlanta Red (poeticstimulus.com), “EARTHOLOGY” by Floyd Boykin, Jr., poet/founder of Spoken Vizions Magazine (cdbaby.com), “Rizen” by Cendrine Marrouat, recordings with world renowned DJ Groove Assassin on “Love Seeker” (GKF Records), Soul Agenda’s “Don’t Let It Go,” Nastee Nev’s “Secrets of Life” and “Giant Steps – Back From Miami” with Dana Byrd on vocals for Do It Now Recordings - all available at traxsource.com.

Follow Tantra-zawadi Online:

www.tantra-zawadi.com

http://www.pw.org/content/tantra_zawadi

www.facebook.com/tantra.zawadi

www.myspace.com/tantrais

www.blackartinamerica.com/profile/Tantrazawadi

~ ~ ~

Thanks to Tantra-zawadi for sharing her tattoos and poetry with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com/ and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.